Mamiya 7 lenses Because rangefinder design eliminates the large, bulky mirror box of SLR design, lenses can be designed simply and rear elements can easily recess towards the film plane. The result is the possibility of ideal lens designs, which Mamiya s computer-aided optical R&D department crafts with the utmost pride and unsurpassed precision of any medium format system. The Mamiya 43mm f/4.5 is a true wide angle design that produces unparalleled results - with a maximum of 0.04% distortion at the corners. The 43mm f/4.5 opens up a new world of distortion-free ultra-wide angle photography. Supplied with ultra-wide optical finder. The detachable ultra-wide optical finder is used for composition. It features a built-in, adjustable diopter, rubber eyecup, and built-in spirit level. Item Specifications: Product Description: Mamiya wide-angle lens - 43 mm Lens System: Wide-angle lens Intended For: Medium format Lens Aperture: F/4.5 Focal Length: 43 mm Min Focus Range: 3.3 ft Focus Adjustment: Manual Lens Construction: 6 group(s) / 10 element(s) Special Functions: Wide angle Filter Size: 67 mm Compatibility: Mamiya 7 Length: 1.4 ft Weight: 13.8 oz
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The VariZoom VZ-USJVC-ROCK is a control kit designed for JVC Pro HD camcorders using 1/3" Fujinon lenses. The kit consists of a the VZ-FCF22-B zoom controller, VZ-RockF focus controller and VZ-TFT7U LCD monitor for a clear, bright video preview. The kit is a durable, yet cost effective approach to transforming a shoulder-mounted camcorder into a studio or OB style camera. Precisely adjust focus and zoom on your lens from the tripod handles using compact lens controls.
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When you're shooting for a truly exaggerated point of view, twist on the Pro HD Series .3X Ultra Fisheye Adapter. The Fisheye gets you the widest view possible, with extreme barrel distortion. This non-zoom-thru add-on provides over 130 degree horizontal angle of view. The fisheye exaggerates depth, pulling nearby objects closer, and causing distant objects to recede into the background. A fixed adapter, the Fisheye doesn't allow for zooming -but you'll want to stay at the wide end of the range anyway, for the most pronounced effect. It comes in Bayonet Mount that attaches with a twist to the front of the lens. Note: Vignetting will occur at the extreme wide angle.
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Unlike 35 mm SLR camera viewfinders, that can only show little more than 90% of what will be recorded on film, the Zeiss Ikon viewfinder lets you see the area that surrounds the actual image giving you greater possibilities and confidence as you compose each image. What's more, the triangulation rangefinder combined with a viewfinder base that is the widest available means that you can expect extreme accuracy and wide-angle focusing precision. All of this and more so that you can follow your passion: creating great images.
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Unlike 35 mm SLR camera viewfinders, that can only show little more than 90% of what will be recorded on film, the Zeiss Ikon viewfinder lets you see the area that surrounds the actual image giving you greater possibilities and confidence as you compose each image. What's more, the triangulation rangefinder combined with a viewfinder base that is the widest available means that you can expect extreme accuracy and wide-angle focusing precision. All of this and more so that you can follow your passion: creating great images.
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You are no longer limited to the range of your camcorder's built-in zoom lens. 16x9 Inc's new 0.7X Wide Angle Converter offers a top-quality and cost-effective method of obtaining wider angle images with new Sony HDR-FX1 and HVR-Z1U HDV as well as other cameras. Highest Optical Standards The 0.7X has been constructed with no sacrifice to quality. Made in Japan exclusively for 16x9 Inc., crafstmanship is meticulous in every detail. Materials are the finest grade available. This top quality optical product employs three multi-coated optical glass elements to yield clean, high definition pictures. Front Filter & Mattebox Compatible The Converter's 95mm front thread allows users to directly thread mount glass filters and other accessories. Plus, this new optical accessory integrates beautifully with professional mattebox systems such as those from Alfred Chrosziel. Works with Popular Camcorders A convenient 72mm screw-in rear thread facilitates quick and easy installation to the front of the HDV lens and to other camcorders such as the Panasonic DVX100/A, and Canon XL1 & XL2 series cameras. Tech Specs , Focal Length: 3.2-38.5mm , 2/3" 16:9 Equivalent: 5.6 - 67mm , Front Diameter: 98mm , Front Thread: 95mm , Rear Thread: 72mm - screw in , Overall Length: 45mm
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52mm extension tube for close-up photography with H1 lenses. Item Specifications: Product Description: Hasselblad HE52 - extension tube Accessory Type: Extension tube Length: 2 in Compatibility (Lens): Hasselblad H system
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Here's a low-cost, high-quality wide angle solution. The 0.55X wide angle adapter offers a single-element design of negligible size and weight. This adapter nearly doubles the angle of view and it allows close focusing right up to the lens front on many camcorders. When this adapter is attached, angle of view is increased by 45%. Partial zoom adapter allows zoom capability from wide angle to mid-range when using the camera in autofocus mode.
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16x9 Inc. debuts the new EXII 0.6X Wide Attachment, the company's first HD-quality wide attachment designed as a single-lens element. The single-elementdesign significantly reduces weight compared to other wide attachments using three or four lens elements, a critical advantage for camera operators shooting handheld. The EXII 0.6X increases wide-angle coverage by 40%, a must for shooters operating in tight quarters. In designing the wide attachment, 16x9 Inc. paid particular attention to minimizing barrel distortion. All single-lens elements have very limited zooming capabilities, however, the EXII 0.6X makes partial zooming possible with cameras that have auto focus capability. The EXII 0.6X Wide Attachment offers a compact and lightweight design making it ideal for handheld applications contributing to a reduced load and helping to better balance the camera on the operator's shoulder.
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