
Chrosziel's Mattebox system brings professional shading and filtering solutions to Panasonic's HVX200. Loaded with the benefits operators have come to expect from Alfred Chrosziel, features include a true 16:9 housing that covers both 16:9 and 4:3, filterstage for 2 filterholders (one 4x4 rotating [402-12] and one4x4/4x5.650 fixed [410-04]), a full-size French flag, and 110:91mm ring. For a secure mount, the system comes with a center bracket and lightweight support with adjustable mattebox rods. Chrosziel's efficient design includes many new operating advantages. The Panasonic HVX200 Mattebox is compatible with both wide and tele attachments. Dual pivot mechanisms are integrated into the housing for more cost efficient use of side wings. The system's articulating French flag can be teamed with optional side wings for precise manipulation of light. Protection against flair and loss of contrast is provided by a 16:9 insert mask. A one-sided quick-lock mechanism anchors both sides of the system with a simple twist of a knob. For authentic cine-style feel and function add Chrosziel's DV Studio rig follow focus. The lightweight support system adds support to Chrosziel's Mattebox. More importantly, you can simply add a DV Studio rig/Follow focus system to your camera. To add the LWS, simply install the center bracket to the mattebox, install the lightweight support base to the camera, and insert the industry standard 15mm rods directly between t
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Extend the reach of your zoom without exposure loss. The 1.6X Tele-Converter is a front mounted accessory that also provides greater telephoto reach. Use it to instantly shift the focal length range of your camera in the telephoto direction. The perfect tool when it’s inconvenient, dangerous or impossible to move as close to the subject as you would like.
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Higher Quality, Lower Price... 16x9 Inc.'s new EXII 0.75X Wide Converter is designed with flexibility in mind, fitting more cameras and lenses than the first-generation converter. And, continuing 16x9 Inc.'s aggressive pricing structure for the EXII series, the EXII 0.75X is priced well below the original EX 0.75X, yet still offers unsurpassed HD-quality optics. The move is part of an aggressive pricing structure 16x9 Inc. has put into place across the entire new EXII line of lenses. 16x9 Inc. understands that the current economic climate is tough, but getting outstanding high-definition images doesn't have to be. Wider Coverage & Full Zoom Thru: Featuring four glass elements, the compact and lightweight EXII 0.75X Wide Converter provides 25% more extreme angle of view over the stock lens and maintains full zoom-through capability with cameras that have auto focus. Cutting-edge optics reduce geometric (barrel) distortion and improve off-axis performance, particularly chromatic aberrations and flatness of field. Compact and Lightweight Design: Weighing only 22.5 oz. (637 grams) the EXII 0.75X Wide Converter has been elegantly engineered and crafted with no sacrifice in quality. Mattebox Compatible: The EXII 0.75X is fully compatible with popular mattebox systems such as those from Chrosziel. For a neat shading solution, 16x9 offers an optional lightweight Rubber Lens Shade.
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Higher Quality, Lower Price: 16x9 Inc.'s EXII 0.75X Wide Converter is designed with flexibility in mind, fitting more cameras and lenses than the first-generation converter. And, continuing 16x9 Inc.'s aggressive pricing structure for the EXII series, the EXII 0.75X is priced well below the original EX 0.75X, yet still offers unsurpassed HD-quality optics. The move is part of an aggressive pricing structure 16x9 Inc. has put into place across the entire new EXII line of lenses. 16x9 Inc. understands that the current economic climate is tough, but getting outstanding high-definition images doesn't have to be. Wider Coverage & Full Zoom Thru: Featuring four glass elements, the compact and lightweight EXII 0.75X Wide Converter provides 25% more extreme angle of view over the stock lens and maintains full zoom-through capability with cameras that have auto focus. Cutting-edge optics reduce geometric (barrel) distortion and improve off-axis performance, particularly chromatic aberrations and flatness of field. Compact and Lightweight Design: Weighing only 22.5 oz. (637 grams) the EXII 0.75X Wide Converter has been elegantly engineered and crafted with no sacrifice in quality. Mattebox Compatible: The EXII 0.75X is fully compatible with popular mattebox systems such as those from Chrosziel. For a neat shading solution, 16x9 offers an optional lightweight Rubber Lens Shade.
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Higher Quality, Lower Price: With the introduction of the new EXII 0.8X Wide Converter, 16x9 Inc. offers a superior, HD-quality lens converter at an even lower price. The move is part of an aggressive pricing structure 16x9 Inc. has put into place across the entire new EXII line of lenses. 16x9 Inc. understands that the current economic climate is tough, but getting outstanding high-definition images doesn't have to be. Wider Coverage & Full Zoom Thru: Featuring a two-element design, the compact, lightweight EXII 0.8X Wide Converter increases wide-angle coverage by 20% over the stock lens with minimal barrel distortion. Better yet, the EXII 0.8X is full zoom-thru. Compact and Lightweight Design: Weighing only 17 oz. (482 grams) the EXII 0.8X Wide Converter has been elegantly engineered and crafted with no sacrifice in quality. Mattebox Compatible: The EXII 0.8X is fully compatible with popular mattebox systems such as those from Chrosziel. For a neat shading solution, 16x9 offers an optional lightweight Rubber Lens Shade. Works with the following cameras: Bayonet Mount Panasonic HPX170 & HMC150
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16x9 Inc. upgrades its EX line of specialized lens attachments with the introduction of the high-definition-quality EXII 0.45X Super Fisheye. The new, single-element EXII 0.45X Super Fisheye offers significant improvements in design and functionality. Being smaller and lighter than its popular predecessor, makes the EXII 0.45X Super Fisheye ideal for handheld applications. The new design also allows it to fit an even wider variety of cameras without vignetting issues, particularly when the lens is set to full wide. A favorite of extreme sports cinematographers, fisheyes expand the view of the lens, providing a wide-eyed perspective that pulls the eye close to the center of the action. By adding a full .45X magnification, images appear convex with exaggerated angles and extreme barrel distortion.
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Higher Quality, Lower Price: With the introduction of the new EXII 0.8X Wide Converter, 16x9 Inc. offers a superior, HD-quality lens converter at an even lower price. The move is part of an aggressive pricing structure 16x9 Inc. has put into place across the entire new EXII line of lenses. 16x9 Inc. understands that the current economic climate is tough, but getting outstanding high-definition images doesn't have to be. Wider Coverage & Full Zoom Thru: Featuring a two-element design, the compact, lightweight EXII 0.8X Wide Converter increases wide-angle coverage by 20% over the stock lens with minimal barrel distortion. Better yet, the EXII 0.8X is full zoom-thru. Compact and Lightweight Design: Weighing only 17 oz. (482 grams) the EXII 0.8X Wide Converter has been elegantly engineered and crafted with no sacrifice in quality. Mattebox Compatible: The EXII 0.8X is fully compatible with popular mattebox systems such as those from Chrosziel. For a neat shading solution, 16x9 offers an optional lightweight Rubber Lens Shade. Works with the following cameras: Panasonic HPX-300, JVC HM700, HVX-200/200A,
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16x9 Inc. upgrades its EX line of specialized lens attachments with the introduction of the high-definition-quality EXII 0.45X Super Fisheye. The new, single-element EXII 0.45X Super Fisheye offers significant improvements in design and functionality. Being smaller and lighter than its popular predecessor, makes the EXII 0.45X Super Fisheye ideal for handheld applications. The new design also allows it to fit an even wider variety of cameras without vignetting issues, particularly when the lens is set to full wide. A favorite of extreme sports cinematographers, fisheyes expand the view of the lens, providing a wide-eyed perspective that pulls the eye close to the center of the action. By adding a full .45X magnification, images appear convex with exaggerated angles and extreme barrel distortion.
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16x9 Inc. upgrades its EX line of specialized lens attachments with the introduction of the high-definition-quality EXII 0.45X Super Fisheye. The new, single-element EXII 0.45X Super Fisheye offers significant improvements in design and functionality. Being smaller and lighter than its popular predecessor, makes the EXII 0.45X Super Fisheye ideal for handheld applications. The new design also allows it to fit an even wider variety of cameras without vignetting issues, particularly when the lens is set to full wide. A favorite of extreme sports cinematographers, fisheyes expand the view of the lens, providing a wide-eyed perspective that pulls the eye close to the center of the action. By adding a full .45X magnification, images appear convex with exaggerated angles and extreme barrel distortion.
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This Cavision Industrial Series 0.6x Zoom-through Converter is for use with the JVC-HD100. It provides a 40% wider angle of view. With it's large zoom-through range it is ideal when using the JVC-HD100 with the Fujinon 16x5.5 lens. It offers a highly affordable alternative for the JVC HD100 camera. What is the differences between Wide Angle Adapters and Wide Angle Converters? Fixed focal adapters lose focus when the focal length on the camera lens is changed (i.e. zooming). For this reason the adapter is not recommended when live zooms are necessary. When using an adapter, the normal focusing operation does not function. It is necessary to use the macro focus control instead. For mini-DV cameras that do not have a macro focus control, the lens will typically retain focus from the widest angle to approximately 1/4 of the zoom range. With zoom-through converters, normal lens operation is not affected. Focus operations will work the same as before and focus will not be affected when the focal length is changed (i.e. zooming)
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